8/31/2023 0 Comments Julia ducournau bodyThe filmmaker turns expectations upside down even within single scenes. “My two characters have to move beyond all the lies and all the violence in order to get to this very unconditional love by the end.” “You don’t expect to be moved by something that starts so violently-and yet, for me it makes sense that it can only emerge from a place where you have no humanity,” Ducournau says. And those things happen, in the most unexpected ways, in the growing bond between Alexia and her tormented father figure. Following a rampage through her seaside city on a killing spree, she has to go into hiding, disguising herself as the long-missing son of a grieving fireman.įrom there Titane morphs from extreme car-fetish sci-fi nightmare to something much more difficult to pin down-a work that’s transgressive and that pushes beyond gender constraints. In Titane, newcomer Agathe Rousselle’s Alexia is a car-show model who has a gigantic scar behind her ear where doctors used titanium (“ titane”) to glue her skull together after a childhood highway accident. Drama is very useful when you want to create this kind of ascending movement from darkness to the light and love.” I’m trying to subvert the codes of different types of film-body horror being obviously the most graphic and obvious one, but I also very much use the grammar of comedy, the grammar of thriller, and the grammar of drama. “What I’m trying to do is create a new territory and new language that is my own. “Obviously that does not go as far as to talk about the way my film morphs or transforms throughout in order to lead to something that is way more tender and way more loving than that,” says the director, who upended genres in her equally provocative debut feature, 2016’s Raw. It’s just that they’re kind of missing the point. Speaking to Stir via Zoom amid a media frenzy around the movie, Ducournau says she isn’t insulted by suggestions that she’s made an ultraviolet sex thriller, as one headline dubbed it on the day of our interview. To their point : Titane has a mix of metal, motor oil, blood, and nudity that hasn’t been seen since David Cronenberg’s Crash. Her win came for what the BBC called “the most shocking film of 2021”. She’s also a psychokiller whose weapon of choice is the hairstick that holds up her wild platinum mane.īut French writer-director Julia Ducournau is here to tell you that her film is actually about loveĪt the Cannes Film Festival earlier this summer Ducournau became only the second woman in history to take home the Palme d’Or. THE RUMOURS ARE true: Titane is about a character who has sex with a car.
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